Very excited to be shooting film for the first time in a decade, and on a spectacularly beautiful day in South West Ireland. We’re shooting stills and re-enactment scenes for a film about the Blasket Islands for Ireland’s Office of Public Works. In order to produce images that have a strong period feel we’re using 6 x 6 medium format film and a vintage Rolleiflex camera. You can see the results here.
The world’s shortest scheduled flight, from Westray to Papa Westray in the Orkney Islands is shorter than the runway at Heathrow, with a duration of less than 2 minutes. We made a short film about the flight as part of a package of documentary films for the renovated galleries at the National Museum of Flight, which opened earlier this year. Today the film has been picked up by media outlets around the world, including CNN in the US and Sky News in the UK. It goes to show that in a world hungry for content it’s so often museums that are telling the best stories. It also demonstrates the way in which digital media assets (videos, stills and even stories) that are designed so use in galleries, can have a real reach and enable museums to tell their stories beyond their physical limits.
‘Ancient Seas’ is our latest video installation at Clearwell Caves in Gloucester, where fish that died out more than 350 million years ago are brought back to life. Two projections enable these monsters of the deep to swim through the underground world, projected onto the walls and into the water in the caves. The animations are based on the fossil remains that make up the Chrinoidal Limestone in which the caves were originally formed during the Carboniferous period.
A spectacular week of filming on the Blasket Islands in the far South West of Ireland, for a short documentary for the Blasket Island Visitor Centre.
Our latest installation brings the monsters of the ancient seas back to life with projection mapping at Clearwell Caves in the Forest of Dean. Animated prehistoric sharks and fish are projected into a pool of water and onto the cave walls, producing a ghostly presence that reminds visitors of the life that existed here some 200 million years ago. The installation shows fish such as the Janassa, which was like a modern Skate, and the huge Psammodus, an early shark which crushed it’s prey in its powerful jaws, the fossilised remains of which are found in the limestone of the cave walls. The dark environment of the caves is perfectly suited to projection, enabling us to use controlled lighting to create a strong atmosphere that fills the cavern and inspires the imagination.
Clearwell’s natural pools and open, underground spaces, provide an ideal space for video projection.
Scott Morris programming a pair of Brightsign media players for ‘Ancient Seas’ projection.
An ancient Shark looms out of the darkness.
The National Museum of Scotland opened 10 beautiful new galleries this week, exploring the worlds of art and science. The galleries look fantastic, a real visual feast that is adventurous, entertaining and amazing. The museum has a fantastic energy to it, described as a ‘Temple of the curious’, The Times said “it seems all of human achievement is laid out for the curious visitor”. We are proud to be part of this, having made 17 short documentaries for the galleries, covering everything from Particle Physics to Body Image.
Filming in the spectacular far South West of Ireland today on the Dingle Peninsula – amazing landscapes; pure green and blue beauty!
We had the great privilege to film an interview with photographer and film-maker Nick Knight today, as part of a film about body image, diversity and fashion. Nick, whose incredible images mark him out as one of the world’s top fashion photographers, offered up some provocative insights on the emerging digital era. For him ‘photography is over’, it died a death at the start of this century to be replaced by modern, digital image-making, a new medium of immense artistic freedom and possibility, which has shaken off the dead hand of ‘truth’ and moved into a fresh, creative space where the visual imagination can run wild and images can be endlessly controlled, manipulated, adjusted and re-invented. It’s new world, in which we’re just scratching the surface, where Nick’s work delivers an inspiring glimpse of the possibilities – see it here.
Our latest video installation for the National Museum of Scotland’s ‘Discoveries’ Gallery is a projection that explores two centuries of Scottish discovery, invention and innovation around the world. The challenge was to bring these stories to life using a range of static archive material, including documents, maps, portraits, letters and illustrations, creating moving imagery from a time before images moved. The project’s success is a testament to the skill and creativity of designer and animator Luke Spurgeon.
We’re back in Iquitos, Peru, filming another episode of the ‘Spirit of Freedom’ series, which follows the work of Animal Defenders International, a UK-based animal rights charity which has worked with the Peruvian government to ban the use of wild animals in circuses. The series, which we’ve been filming since April 2014, follows the team as they seize animals from circuses and find new homes for them. The numbers are rising all the time as lions, monkeys, bears and even tortoises come to light. Some of the monkeys seem keen on following a career in the media.